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Ragusini's practice is mainly focused on matters such as identity, belonging and the movement of people, as well as materials, within the world. Her works have been presented in the form of drawings, prints, artists books, sculptures and installations with the latest being receptacles, teleological performative equipment, and memory- filtered representations of objects.
They are characterized by diverse materiality, bodily quality and a layering of narratives emerging from the material itself, but also from personal or collective histories.
For her latest projects, she has been using travelling as a performative action which generates the narrative context, as well as the ‘chaîne opératoire’ for the creation of the actual works. Analog photography is an important element in her practice, functioning as a means of a symbolic action of collection (during the journey) and re-collection (after the return) of the experience.
She experiments with a multitude of materials, but often returns to natural/ raw materials such as minerals, fossils, metal, glass and leather, due to the limitations they impose and the uniqueness that distinguishes them. People, materials and localities are characterised and connected through a perpetual displacement - a condition that functions as a fundamental point of her research.


@ireneragusini
@koren.athens

 © 2025  Irene Ragusini

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